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In progress shots: Making a Half-Helmet

Fashion Week started yesterday here in Omaha.  I’ve shown a collection at Omaha Fashion Week at least once a year EVERY year since I’ve moved here.  It’s making me a little sad that I’m not part of the frenzy this time around.  I tried to figure out a way I could show a collection at fashion week AND start all these new exciting leatherworking projects AND pay the bills, but something had to go.

Turns out, maybe I can’t do it all. (Denial! DENIAL! Go back into denial! DO ALL THE THINGS!)

Since I am a little sad and reminiscent, I have been looking through all the photos I have from last year’s Omaha Fashion Week where I showed my monoprismatic collection in the Avant Garde Show. This year’s Avant Garde themed runway show is tonight, so I thought I’d get in the spirit and share some behind-the-scenes shots of me making the studded and feathered half-helmet from my monoprismatic line.

FIguring out the sculpted feather shapes and patterns.

Deciding on feather placement.

Stretching and molding the buckram.

Vintage woven fabric. Delicious!

Prepping a sculpted feather for bias trim. I’m not afraid of a bit of hand stitching!

Feathers are stitched. Helmet is studded.  Ready!

Who doesn’t love chain tassel detail?

My half-helmet hits the runway!  (Photo: g thompson higgins gallery. Model: Dawaune Hayes. Makeup: Sirens at the Loft.)


Happy Avant Garde Night tonight, Omaha!!!

Yellow Studded Half Helmet by Audio Helkuik available here: https://www.etsy.com/listing/108139984/yellow-studded-half-helmet

 

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Studio/Skill Upgrade: Leatherworking

I’ve been putting this off for years.  I’ve always wanted to work with leather, but I have talked myself out of it over and over.  “You don’t need any MORE tedious crafts to do by hand.”  “You have never done this before.  It takes years and years to learn this craft.”  “You will mess up.  Leather is expensive.”  “Don’t kill the animals.”  etc…..

I love leather. I don’t want to, but I do.  I absolutely do.

I have quite the garment weight leather stash from years of collecting thrifted garments, friends’ worn out leather coats, scraps from other people’s leather projects, etc.  I started to actually use it by incorporating small leather accents into my designs.  It’s not enough.  I want to design with more leather.  I’ve decided to really jump in and order a couple leather sides in a harness weight and make some all leather items.  Fine leather goods.  Harnesses and hardware.  I’m totally in.

The problem?  My studio is set up for creating garments and accessories out of fabric.  I can handle garment weight leather from my stash, but I want to make things out of heavyweight leather.  Time to start collecting leather tools!

My first leatherworking tool: a round knife.

The other problem?  Yeah, so I’ve never actually made anything out of really heavyweight leather so there’s that whole learning curve thing ahead of me.  Luckily, I’m really used to being self-taught and trying things I’ve never done before (aka: almost the exact definition of my costuming career) so no big deal.  I’ll suck for awhile and then I won’t (fingers crossed).

Bridles from a friend to inspect, disassemble and use for parts.

I’m trying to get my hands on all sorts of leather items to see how they are made.  A friend gave me a pile of horse bridles to get me started.  I don’t *think* I’ll be making horse bridles, but I can see how the makers handled the leather and learn from their construction methods.

I’m creeping closer and closer to the day where I put in a big order for leather and I feel like it’s a big jump for my brand.  I am excited.  I am nervous.  But mostly I am excited because the worst thing that can happen here is my closet gets filled with a bunch of interesting leather pieces for me to wear.  NOT BAD.  The best thing that can happen here is all of YOUR closets get filled with my interesting leather pieces for YOU to wear.  NOT BAD AT ALL.

 

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